When I look at my landscape work, time and again, I find a correlation between form and a balance of volumes. If questions arise, they occur by themselves over time. They are generated by our subconscious in relation to our creative processes. In addition to taking photographs in a permanent state of introspection, this questioning has an effect on my creative momentum not as a difficulty but as an enquiry into the atmosphere of a place. I have photographs in the making in me, with the certainty that depiction will always prevail over reality. My photographs do not have the sole function of showing reality. What I try to express in my photographs remains enigmatic, the more I ask myself this question, the fewer answers I have. I believe the atmosphere in the places I photograph, the feeling of restriction through which I arrive at this mental inwardness, both of which are recurrent in my work, are ways of setting my inner world, focused on loneliness and thinking about the world around me and are distinctive of my personality. Essentially what I am looking for is inwardness, this innerness, I like letting it come into me; photography is my medium, it is also my receiver.
www.youtube.com/@POURLECINEMAtv, WEB-TV : Une approche buissonnière du cinéma. En créant plusieurs collections vidéos comme QU’EST-CE QUE LE CINEMA, la fameuse question d’André Bazin, CINE-ROMAN, la découverte d’auteurs dont les romans, pièces de théâtre pourraient faire l’objet d’une adaptation, LA CONTROVERSE DU CINEMA, une émission à thème.
Amphithêatre MSHE LEDOUX
Rina Sherman : Les années Ovahimba, une ethnographie visuelle réalisée sur sept ans en Namibie et Angola. Maison des sciences humaines et environnementales – Claude-Nicolas Ledoux – UAR3124
Que la danse continue
Cinémathèque de la danse Cinématèque française
LIVRES
Salon du livre de Paris
Dans le sillage de Jean Rouch
Maison des sciences de l'homme
Rina Sherman. FMSH. (2018, 22 mai). Dans le sillage de Jean Rouch. Témoignages et essais, in Des livres et des auteur•ices, Canal-U