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Eugene Jardin, Portrait of a Sculptor

Rina Sherman

16 mm, 7 mn, 1983. Label K

Eugene Jardin by Rina Sherman

Portrait of the late Eugene Jardin, South African born sculptor, who lived on the US West coast, filmed during a return visit to Johannesburg in 1983 for an exhibition of a series of portraits of David Hockney, Woody Allen, Jody Foster and the likes...

Eugene Jardin by Rina Sherman
David Hockney

Eugene Jardin, A Tribute

Eugene was born in Germany in 1947. Shortly afterwards, his family moved to South Africa, where as a young man, he studied at the Michalis School of Art at the University of Capetown. He continued his education throughout the 1980's while living in London, New York, and Los Angeles. He last lived in Santa Fe, New Mexico. Establishing a strong following in the California and New Mexico art scenes, Jardin's work explored numerous themes, including the man-beast interface. Working primarily in fiberglass and resin, his works were often brightly painted, aggressive and mystical. Jardin has been collected by museums, major corporations, and numerous private collections including David Hockney, Jane Seymour, Johnny Carson, Pia Zadora, Jodie Foster, Wolfgang Puck, and director, John Schlesinger. Eugene Jardin died of AIDS in the American Hospital in Paris in 1992 at the age of 44.

Robert Kirsner

La Cienega Area
THE ART GALLERIES

January 17, 1986 | COLIN GARDNER

Also on display is a series of painted fiberglass sculptures by Eugene Jardin, a South African artist now living in Los Angeles. Jardin's grotesque fusion of human and animal forms exploits art historical motifs drawn from Assyrian and Greek mythology (hunters and their prey), as well as Etruscan funerary sculpture. The works' overt primitivism masks an analytical undercurrent, that of expressing emotional states through an ongoing sculptural vocabulary (kinetic distortion, idiosyncratic balance and spatial parameters) as well as such archetypal concerns as power and the subconscious. The work is more successful conceptually than aesthetically, largely because Jardin cloaks his historical sources in an overly accessible Pop sensibility that tends to undermine the integrity of his vision. (Michael Kohn, 313 N. Robertson Blvd., to Feb. 8.)

Eugene Jardin by Rina Sherman


Eugene Jardin, Portrait of a Sculptor
Rina Sherman

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